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Downhome roots take Vernonѻýs Spitfire Lounge

Multiple Juno Award-winning musician Bill Bourne set to play with the Vernon Folk-Roots Music Society

Paul Tessier

For The Morning Star

Roots-music troubadour and multiple Juno Award-winner Bill Bourne grew up with music.

ѻýI remember so many times falling asleep upstairs in our farmhouse,ѻý Bourne said. ѻýIѻýd be in my bed in and I could hear the music downstairs. That memory is still very comforting to me. Thatѻýs something Iѻýll always remember.ѻý

Heѻýll be playing some of that down-home, roots-based music live for the Vernon Folk-Roots Music Society Saturday, Nov. 18 at the Spitfire Lounge of the Army, Navy and Airforce Club.

Bourne grew up in a very musical family on a farm near Red Deer, Alta, and fondly remembers lots of music in the house.

ѻýMy mom and dad had a band when I was a little kid. They were pretty busy of course with the farming, but theyѻýd always somehow find time to play music. Weekends would come along ѻý especially in the winter months ѻý people would come over and pretty soon thereѻýd be all this music. As kids, it was kind of cool because we got to do stuff they wouldnѻýt let us do normally, because they were busy playing music,ѻý Bourne said with a hearty laugh.

At the age of 11, his uncle dropped off his clarinet.

ѻýI put that thing together and started playing it immediately. I loved it but then a couple of years later, I started hanging out with some guys at school who wanted to start a band. The clarinet didnѻýt work with guitars. They said, ѻýThatѻýs crazy. Whatѻýs with this clarinet? Get that thing out of here.ѻý That sort of put a damper on the clarinet playing so I started playing guitar.ѻý

He then naturally gravitated the songwriters like Gordon Lightfoot, Bob Dylan and Paul Simon. He played in bands throughout high school and got his ticket as a licensed diesel mechanic. He was working as a mechanic for about a year when he got into the music business.

ѻýI quit my job, took my guitar and went to see a booking agent and auditioned,ѻý he said. ѻýThey put me to work right away, playing in bars in northern Alberta.ѻý

It proved to be a quick learning experience.

ѻýWhen all of a sudden your living depends on your music ѻý you learn a lot in a hurry,ѻý Bourne said. ѻýIt ends up being really good for your playing.ѻý

The booking agent wanted him to know 50 top 40 country songs and get a Rhythm Ace or electronic drummer.

ѻýI never did get a Rhythm Ace,ѻý he said. ѻýI made a pact with myself when I quit my job as a mechanic that I was only going to play music that I really wanted to play. I wasnѻýt going to let anybody tell me what to play. Iѻým glad I made that pact with myself because that way I was able to pursue the music that I liked best. I sort of understood from the very beginning that the greatest asset you have as an artist is your own uniqueness.ѻý

It was around then that he started writing songs ѻý a process he finds to be both an art and spiritual in nature.

ѻýAs a songwriter, I can sit down and write lyrics all day,ѻý Bourne said. ѻýBut every once in a while, all of a sudden, something seems to take over my body and a song will come up that blows everything else away. That to me is art. You can premeditate to a certain degree what youѻýre going to write about but when this phenomenon ѻý this sort of inspired moment occurs ѻý thatѻýs what really gets my attention.

ѻýSo, as an artist, if youѻýre fortunate enough to have those inspired moments occur and you manage to capture them, what happens is that thereѻýs a uniqueness that comes out ѻý a unique perspective. Thereѻýs a real potency to those moments,ѻý he said. ѻýWithout those songs, itѻýs much more difficult to be unique. But to me, sometimes I feel like I canѻýt really claim authorship to those songs because itѻýs like it came from another place.ѻý

Over the years, heѻýs been nominated for eight Juno Awards and has won three Junos, including Best Roots Recording in 1991 for Dance and Celebrate.

Heѻýs collaborated with all sorts of folks, including the Tannahill Weavers and Alan McLeod, Shannon Johnson, Wykham Porteous, Madagascar Slim and others. Along the way, heѻýs noticed a common thread running through the themes of most great songwriters.

ѻýThe message is consistently about universal love,ѻý Bourne said. ѻýThose inspired moments, which give life to those inspired songs, almost always have that underlying, powerful message.ѻý

Although the message on Saturday, Nov. 18 might be about universal love and other themes, expect his show to be joyous and even raucous.

ѻýMy music is essentially based on dance rhythms. Lately, Iѻýve taken to playing some blues on banjo, which Iѻým really getting into. I also play the stomp-box a lot because I like to play music thatѻýs uptempo and very danceable. If people want to get up, shake a leg and sing along, thatѻýs definitely fine by me.ѻý

Bill Bourne will be performing many of his inspired songs for the Vernon Folk-Roots Music Society Saturday, Nov. 18 at the Spitfire Lounge of the Army, Navy and Airforce Club. Show time is 7:30 p.m. Doors open at 6:45 p.m. Tickets are $25 and are available through The Ticket Seller, 250-549-7469, , the Bean Scene Coffee House and at the door if available.



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