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Play tells of influential Vernon artist

Itѻýs difficult to discuss local arts and culture without hearing the name Sveva Caetani
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Sveva director Kevin McKendrick (right) speaks with some enthusiastic and talented young actors about their participation in the play commissioned by the Powerhouse Theatre and written by Canadian playwright Janet Munsil. (Sarah Mclean photo)

Itѻýs difficult to discuss the history of arts and culture in Vernon without coming across the name Sveva Caetani.

Her role in crafting the cityѻýs artistic community is unparalleled, and in celebration of her life, Powerhouse Theatre shares her story in Sveva, running at the theatre Oct. 18-28.

For the original play, as part of their Canada 150 celebrations, Powerhouse Theatre brought in professional director Kevin McKendrick and playwright Janet Munsil to create the exclusive production.

ѻýThe play itself, like most good plays, is about relationships,ѻý McKendrick said, adding that the play follows not only Caetaniѻýs relationship with the community, but her relationship with her family as well.

Sveva was uprooted from Rome in 1921, when her father Leone ѻý an Italian nobleman ѻý sought to escape Mussoliniѻýs fascist regime, bringing his daughter Sveva and his mistress Ofelia Fabiani.

ѻýSome say he spun the globe and his finger landed on Vernon,ѻý McKendrick said, adding that Leone was an avid hunter who had visited the beautiful British Columbian backwoods prior to the Caetanisѻý relocation.

However, not all members of the family were so thrilled.

ѻýOfelia wants nothing to do with Vernon,ѻý McKendrick said.

To satisfy Ofeliaѻýs highfalutin tastes, the family visited home often, until money became tight and they could no longer afford the luxury trips.

Sveva and Leone were close until his death in 1935, when suddenly Ofelia and Svevaѻýs relationship took a turn.

ѻýA really big part of the play is the relationship between a mother and daughter,ѻý McKendrick said. ѻýWhen Svevaѻýs father dies, Ofelia kind of guilts her into staying home.ѻý

Then a young adult, having recently lost her father, Sveva was condemned to a life of solitude, spending the majority of her time in her familyѻýs wooden home on Pleasant Valley Road.

ѻýFor 24 years, sheѻýs like a house prisoner. All she has is her books. Her mother wonѻýt even allow her to paint,ѻý McKendrick said. ѻýDivine Comedy was an important book for her father. When he died, he told her to learn this book.ѻý

After more than two decades spent indoors with little connection to the outside world, Ophelia passed away and Sveva left home. Sheѻýs 42-years-old with no money and no education, but she could reconnect with her love of art.

Utilizing her newfound freedom to paint and a worldview forged from literature, Sveva went to work and her series of 56 large-scale paintings Recapitulation was born.

ѻýRecapitulation chronicles Svevaѻýs take on hell, purgatory and heaven,ѻý McKendrick said, adding that a partial inspiration for the series stemmed from her fatherѻýs love of Dante Alighieriѻýs Divine Comedy. ѻýShe has a worldview through literature and her imagination. She was able to access her imagination like most canѻýt. (Itѻýs) discovering the artist in you by looking at the world through a lens thatѻýs a little bit wider.ѻý

In time, Sveva reconnected with the community and eventually pursued an education and became an art instructor in Lumby.

Wrought with hardships and familial obligation, Sveva follows themes of coping with dysfunction in families and our relationships with ourselves and our community.

ѻýWhen we do encounter diversity, how do we handle those waves?ѻý McKendrick said. ѻýSome react with fear and some are more mystified.ѻý

In our world of immigration and the ongoing refugee crisis, Svevaѻýs story is just as relevant as ever, McKendrick said.

ѻýWeѻýre faced with a situation today where we have strangers in our midst that weѻýre trying to come to terms with,ѻý he said.

And itѻýs a message that is woven throughout the Powerhouse production.

ѻýTheatre at its best should provoke yet entertain. The piece should be provocative, not just in subject matter but how itѻýs shown,ѻý McKendrick said. ѻýWe certainly have a diet for entertainment in the form of television and movies that tell us what to think. In theatre, you make your own decision on whatѻýs right and whatѻýs wrong. If people donѻýt come out of that going, ѻýWow, it moved me,ѻý if that doesnѻýt happen, weѻýve missed the mark. But we have been working hard to ensure that happens.ѻý

Despite the biting message, McKendrick said at its core, theatre is still a form of entertainment.

ѻýThe play that Janet has given us is highly impressionistic. As a viewer, you just have to come and experience it,ѻý McKendrick said. ѻýYouѻýre never going to understand everything about life, itѻýs too complexѻý Itѻýs not a traditional play even though it has traditional elements.ѻý

Boasting a 20-person cast with performers ranging from ages eight to 78, Sveva is a local story that showcases local talent.

And for Sveva, that was the ultimate goal: bringing art back to the community.

ѻýArt doesnѻýt have to be inaccessible. Art is in our watches and our dinner plates. Art isnѻýt something we should be afraid of.ѻý

Powerhouse Theatre presents Sveva Oct. 18-28, with evening shows at 7:30 p.m. and 2 p.m. matinees Oct. 22 and Oct. 28. Tickets are available for $28 for adults and $22 for students from the Ticket Seller, 250-249-7469, .

entertainment@vernonmorningstar.com





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