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Rockѻýs Bif Naked on the return to performance post-COVID and rock as protest music

ѻýMaybe not revolutionary, but evolutionary ѻý bands have had to really shift their thinkingѻý
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Bif Naked, with Ace, at Huckleberry Books in Cranbrook (Barry Coulter photo)

The music world is contemplating a return to the stage, a year and a half after the pandemic pushed pause on live performance.

As legendary Canadian rock artist Bif Naked relates, performing live is the economic mainstay of a musicianѻýs livelihood and artistic expression. Digitally streamed concerts have filled the gap somewhat, but itѻýs just not the same.

ѻýI think everybody is [excited at the prospect of returning to a world of regular concerts],ѻý Bif said, taking time out during a Cranbrook sojourn for an interview.

ѻýLong gone are the days of doing all the things bands did in the ѻý90s. People receive their music differently. It wasnѻýt a revenue source for a long time anyway. But touring was.

ѻýSo now, to re-emerge, for a lot of bands, we are elated to return to the stage. We want to see our familiar faces in every town, our friends and family. And more than anything else, as artists and performers, weѻýre desperate to perform, for the sake of performing. Most of us whoѻýve been in bands since the ѻý90s, weѻýre accustomed to living hand to mouth. I donѻýt think itѻýs necessarily new for musicians to be poor. The pandemic pressed the pause button for a lot of people. But thatѻýs true of every industry.

ѻýBut us in rock, weѻýre all used to being poor.ѻý

Bif Naked ѻý aka Beth Torbert ѻý is one of the top-selling Canadian artists and songwriters, and a popular pop-punk artist with an almost 30-year career in recording and global performance. She launched a career in Punk Rock in Vancouver in the early ѻý90s, went solo in 1996, and her career has since seen her tour Canada, the U.S., and Europe as a headliner, and appearing on the bill with some of the worldѻýs top rock acts.

She is a prolific writer and graphic artist, and has also developed a parallel career as an activist and humanitarian, as a long-time champion for womenѻýs rights and the LGBTQ+ community, and other causes.

A breast-cancer survivor herself, Torbert has lent her voice to raise awareness and treatment issues. She recalls the experience of returning to the stage after her bout with cancer.

ѻýAfter I went through cancer treatment, I felt like I had to re-emerge. I was very self-conscious. I gingerly approached the stage again. Nothing for me was scarier than that. But now Iѻým 10 years older. And the world is 10 years older.ѻý

Even though 18 months isnѻýt a very long time in the scheme of things, the world that performing musicians are re-emerging into feels like a different place. There is a lot of cultural divisiveness, social upheaval, and tumultuous news. It seems these are febrile times.

ѻýItѻýs not revolutionary, but it can be evolutionary,ѻý Bif said. ѻýAnd I think bands have had to really shift their thinking. Itѻýs not even a pivot, because thereѻýs nothing to pivot our thinking to.ѻý

Can Rock music provide a voice to address this new post-pandemic world, like it has in the past?

ѻýAny music, any art, is a vehicle for any artist to express their take on whatever is going on in their world,ѻý Bif responded. ѻýFor most of us, itѻýs our running commentary on society. Any art that we make is going to be that. Rock is always been a protest music.ѻý

People coming of age in the ѻý80s and ѻý90s, Bif says, were lucky to experience Punk Rock music, and the birth of bands like Nirvana and Soundgarden.

ѻýThey were creating new sounds ѻý but new ways to say the same things, that generations before them said. Love is cool, loud is good ѻý those kind of things. But as far as protest music ѻý Punk Rock, Reggae, Hip Hop, were the anthemic protest music of our lives.

ѻýAnd now, as we are now in a world that is enmeshed in this pandemic apocalypse ѻý people have been suddenly forced online. If theyѻýre not bookworms, then online is where theyѻýre getting a lot of their new discoveries, things that have broadened their lives, broadened their worlds. The internet is so vast that with freedom of speech comes freedom of ideas that we donѻýt agree with. That has brought a lot of people into the world and discovering they have a voice, where before they didnѻýt know, or didnѻýt participate. There are a lot of opinions.

ѻýThere are a lot of us ѻýbookwormsѻý that become disheartened by what we see people sharing on the internet. It can seem very callous.ѻý

Whatѻýs also happening at the same time as the pandemic, Bif says, has been the enormous repercussions of climate change becoming apparent ѻý ѻýweѻýre starting to see an acceleration of horrific results.ѻý

ѻýIn a post-pandemic world, which we have not yet reached, weѻýre going to talk about the people who are vaccinated versus the unvaccinated. People who like science versus people who do not agree with the science. This has always existed. Separation of church and state. People have always argued about vaccinating their children, have always argued about climate change.ѻý

Bif Naked is pictured in acoustic performance with Stephen Allen. (Photo submitted)

As for her own performing future, and recent past, Bif Naked and her band have been hanging fire for almost two years.

They had a tour booked with rock bands Buckcherry and Age of Days. ѻýWeѻýve had that booked for two years, and they postponed it twice. Rumour has it that itѻýs happening this October, thankfully.ѻý

Even the release of Bifѻýs latest studio album ѻý which would be her sixth ѻý has been delayed, not for just pandemic reasons, but also because of her perspective on the larger issues that were shaking up things in 2020.

ѻýWe made a record ѻý called ѻýChampion.ѻý Weѻýre very proud of the songs, the mixes, and everything was in place. We put our first single out in 2020. That was a big undertaking, did a video, and were quite prepared to release another single that May, then another one in August, and then release the record.

ѻýBut with everything that was happening, and especially last summer, I felt nobody needed a Bif Naked record at that moment. What we needed was to talk about race, and about equity and about the world we live in and how we needed to fix it, and change it. My parents were civil rights activists with Dr. Martin Luther King, and I thought, ѻýwhere we are, after so many years, we cannot let the work that they started be in vain. I thought, my record means nothing this year. Letѻýs wait.ѻý

ѻýAnd so we waited, and we were going to do a streaming show for October, but itѻýs just not the same. It just didnѻýt seem right. We released another single (I Broke Into Your Car) ѻý and so here we are, a year later. I still havenѻýt released Champion, because I donѻýt believe itѻýs important enough. I think there are other things, in the news feeds, that are much more important.

ѻýIѻým not going to perish emotionally waiting to release a record. I havenѻýt done a studio record in over a decade. I havenѻýt wanted to. Hopefully the timing will be right this fall, and weѻýll be able to release it. But it depends on the rest of the world.ѻý

Left to right: Ferdy Belland, bass player for Bif Nakedѻýs band; Bif Naked, holding Ace; Stephen Allen, guitarist with the band (and Bif Nakedѻýs husband). In Huckleberry Books, Cranbrook. (Barry Coulter photo)



Barry Coulter

About the Author: Barry Coulter

Barry Coulter had been Editor of the Cranbrook Townsman since 1998.
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