The longevity of a Canadian icon anchors a decade-long project that two celebrated Greater Victoria performers take to stages across the province this summer.
When Glenna Garramone and Oliver Swain first took Tower of Song: a creative tribute to Leonard Cohen on the road, they used to say they were two of the biggest Cohen fans youѻýd ever meet.
It was part of the banter in the show.
The quip seemed harmless enough until they toured a bit and met superfans with lyrics tattooed on their bodies.
The seed of the show was planted in 2011 while Garramone lived in Vancouver. She fully figured the performance to ѻýpay tribute to one of Canadaѻýs most amazing poets and singers and songwritersѻý was a one-night deal.
Inspired by the the concept of a dialogue between artists, the show is rooted in the Tower of Song verse: ѻýI said to Hank Williams, how lonely does it get? Hank Williams hasn't answered yet; But I hear him coughing all night long; Oh, a hundred floors above me in the Tower of Song.ѻý
That conversation transcends time and space. Every person has their own tower of inspiration, no matter their art from.
ѻýYouѻýre looking to them for this inspiration and you kind of overhear what theyѻýre doing through the tower walls,ѻý Garramone said.
That same inspiration likely led her to invite Swain ѻý who sheѻýd heard perform an impressive Cohen song before ѻý and together, they were reminded of the power of harmony.
The tribute performance became an annual activity the next year, this time in Victoria.
ѻýI see it as sacred ground. His poems and songs are loved by so many. Thereѻýs a bit of a risk,ѻý Garramone admits. ѻýItѻýs about bringing our own voices and our own interpretations to his material.ѻý
Audiences responded and since then, theyѻýve performed it at festivals, theatres and folk clubs more than 200 times ѻý from Victoria to Cohenѻýs homeland of Montreal.
ѻýThe project took on a life and a momentum of its own in the last 10 years,ѻý she said.
Songs are added, removed, reinterpreted and even Cohen's spoken word built around music.
ѻýItѻýs more a conversation between two people. Every song weѻýve chosen to include in the show has its own kind of magic.ѻý
Aside from the duoѻýs compelling vocal harmonies, Garramone brings piano, guitar and percussion to the show, while Swain adds standup base, banjo and guitar.
Tower of Song: a creative tribute to Leonard Cohen is back on the road with shows in Sidney, Harrison, Keremeos, Kelowna, Duncan and Salt Spring Island this summer.
It all starts Sunday at Sidneyѻýs Mary Winspear Centre where fans will enjoy another local talent with the addition of Daniel Lapp. Mixing in other musical flavours creates some of Garramoneѻýs favourite shows because theyѻýre ѻýbringing out these different sonic textures, different musical palettes.ѻý
ѻý(Lapp) can really paint with so many colours sonically and itѻýs really fun to work with someone who has such a diverse range of expression.ѻý
Garramone remembers fondly being onstage in Kelowna for the projectѻýs sold-out CD release 10 years ago and looks forward to the return on July 19 at Rotary Centre for the Arts.
The venues this summer run the gamut from The Grist Mill outdoors in Keremeos on July 18, to likely their largest audience in the Duncanѻýs Cowichan Performing Arts Centre on Sept. 21. They perform the day before at ArtSpring Theatre on Salt Spring Island.
Among the fun is the July 20 Harrison Festival of the Arts.
ѻýSummer is festival time, so any time I get to participate in a festival whether itѻýs on stage or as an audience member I feel lucky,ѻý Garramone said.
The Victoria singer anticipates it could be collaboration that continues as long as they have the energy. Cohenѻýs songs are durable and flexible, they withstand ѻý and even hold up ѻý as a work of art with their treatments, Garramone said.
ѻýHe didnѻýt release any duds, thereѻýs a lifetime of songs to work with.ѻý
For more information on show dates and times,