When Roy Henry Vickers speaks about his powerful new artwork ѻýThey Were Buried in the Nightѻý he chokes up.
ѻýThe angel is rising from the skulls of the children who have died, and her arms are uplifted, and thereѻýs new life,ѻý Vickers describes. ѻýAnd that new life shines on us all. So the rays come from that beautiful little child. And thatѻýs what I see. Healing will bring beauty back to the people, people will reconnect to the land, all of us, because we all live here, new life.ѻý
Vickers hopes the discovery of 215 children in unmarked graves at the former residential school in Kamloops, and the thousands that are sure to follow according to estimates by the Truth and Reconciliation Commission, is a wake-up call to all Canadians.
ѻýFor me, the great thing about all of these bodies coming to the mass knowledge of Canadians is, well, maybe now people will begin to hear, and if they begin to hear then there will be compassion because you canѻýt listen to these stories and not feel them deep down inside if youѻýre a human being and have a heart and everybody does.
ѻýOnce that happens then the compassion of us, as Canadians, for the Indigenous people actually helps to bring about the change for healing and thatѻýs the only thing thatѻýs going to change and thatѻýs for us to heal.ѻý
He also hopes it will lead to some concrete action.
ѻýMy dream is, now that we know these bodies are here, they canѻýt be left there, they should be exhumed, DNA done no matter what cost.
ѻýWe just spent the money on a ridiculous election that would have taken care of this whole thing, identify the bodies, return them to their homes. The massive amount of healing that would come from that is priceless, you canѻýt even put a value in money on that.ѻý
Vickers, a third-generation survivor of the residential school system, has personal experience of the generational trauma imposed by not just the horrors at residential schools, but the decades of silence that followed.
ѻýWhenever we spoke about genocide it was ѻýcultural genocide,ѻý but no itѻýs a genocide when you look at the number of bodies, mostly murdered, experiments done on them, kids thrown down stairs, girls raped and pregnant and go hang themselves because they canѻýt stand the shame.
ѻýPeople came back and they were told they would go to hell if they ever spoke of it once they left school so I heard nothing from my grandmother, from my dad, from any of my uncles and aunts and I went to them directly.
ѻýIf we donѻýt talk about it, how is anything going to change and how am I to know why my dadѻýs behaviour is as it is unless I know what happened to him, so itѻýs generations of unresolved trauma.
ѻýNow weѻýre at a point that the inside rage and anger of those who suffered to the end of their lives, most of them because there was no one to help them deal with the trauma, and people wonder why there is so much addiction among Indigenous people.ѻý
Vickers has been there himself, in a place where the rage, suffering and addiction almost led him to suicide.
ѻýAt 45 years of age on Valentineѻýs Day, I hit the end of my rope for the last time, I thought, and I was going to put a bullet in my brain like so many have, but fortunately I was taught that life is a gift and you do not have the right to end it.
ѻýSo, I only had one choice, as Bob Dylan says, I have to change my way of thinking, make a different set of rules.
ѻýItѻýs been two decades of moving through the trauma and constantly having to go back and look at it again and seeing it come up again and deal with it again and thatѻýs the way it is when youѻýre healing and if youѻýre not healing then youѻýre just in this hopeless, dark, angry, shameful place and nobody wants to hear you.ѻý
Now, he speaks through his art.
ѻýMy pictures are worth a thousand words, look at my pictures if you want to know hear what I have to say.ѻý
Vickers was not impressed by the federal government making Sept. 30 a statutory holiday called the National Day of Truth and Reconciliation, feeling like it smacks of the same old patriarchal colonialism of the past.
ѻýThe reconciliation the government talks about is bringing Indigenous people back to this beautiful relationship they had with the government. There wasnѻýt one. They were oppressors from day one. We were people who were in the way of the settlers.
ѻýThereѻýs nothing to reconcile from that standpoint, but spiritually and soulfully, there is something to reconcile. But the leaders canѻýt see that. They donѻýt. They donѻýt even know what Iѻým talking about.ѻý
But while he has little patience for politicians, he has a little more faith in the Canadian public.
ѻýI think it should be a national day of mourning for Indigenous people, not truth and reconciliation.
ѻýIf it is treated like that, by Canada as a nation, that would be incredible. And I know it will be. Thatѻýs the way itѻýll be looked on by Indigenous people across this country. And we have a national day. Not Aboriginal day, but a national day of mourning.
ѻýAnd itѻýs time.ѻý
Prints of ѻýThey Were Buried in the Nightѻý will be available through the Roy Vickers Gallery in the near future. Next year, Vickers plans to paint a 90-foot wall of skulls in Terrace.
editor@interior-news.com
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