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B.C. couple caught in Victoria legislature bomb plot profiled in new film

ѻýManufacturing the Threatѻý focuses on would-be ѻýterroristsѻý acquitted in case from 2013
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Amanda ѻýAnaѻý Korody and John ѻýOmarѻý Nuttall in Amy Millerѻýs 2023 documentary film ѻýManufacturing The Threat.ѻý (Screenshot)

A new documentary film sheds light on the Surrey couple involved in a plot to blow up the B.C. Legislature in Victoria 10 years ago, on Canada Day 2013.

John ѻýOmarѻý Nuttall and Amanda ѻýAnaѻý Korody were originally found guilty by a jury and did time in prison, but were later acquitted when the Supreme Court of B.C. heard they were coerced by undercover police officers to carry out a terrorist bombing.

Director ѻýs ѻýManufacturing the Threatѻý is a fascinating portrait of the couple and also a murky world of Canadian police infiltration, manipulation and entrapment, and how policing and security agencies were granted additional powers after 9/11 to go after ѻýterroristsѻý and justify growing budgets.

This week the film is , on Tuesday, Thursday and Friday (Oct. 17, 19, 20).

to watch the trailer.

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John ѻýOmarѻý Nuttall and Amanda ѻýAnaѻý Korody in Amy Millerѻýs 2023 documentary film ѻýManufacturing The Threat.ѻý (Screenshot)

Back in 2013, during Operation Souvenir, the RCMP provided Nuttall and Korody with explosives and fake detonators, then arrested and charged them for plotting a terrorist attack.

Millerѻýs gripping film, world-premiered at Vancouverѻýs DOXA film festival last May, uses surveillance video to help show how an impoverished pair became radicalized Muslims with pressure and guidance of undercover police who, the director contends, sought to ѻýmanufactureѻý the terrorist threat.

Last year the couple announced plans to sue police, prosecutors in their case and the B.C. and Canadian governments.

ѻý RELATED, from 2022: .

Nuttall and Korody still live in the Surrey area, the Montreal-based director said.

ѻýThey had never really done interviews before. It took time to build some trust, and I think thatѻýs warranted,ѻý Miller said in a phone call Tuesday (Oct. 17).

ѻýI was very lucky to get some development funding for the film in 2019, and thatѻýs when I went out and filmed with them,ѻý she continued. ѻýThat ended up being the main bulk of the filming for this. I would have liked to have a few more days with them, you know, a year or two later, but thatѻýs not what happened.ѻý

Miller said sheѻýs remained in contact with the lawyer involved in the the coupleѻýs 2022 lawsuit against police and governments.

ѻýI have been writing Omar and Ana, letting them know how things are going,ѻý she explained. ѻýThey didnѻýt attend the premiere (last spring) but I sent them a copy of the film. I donѻýt know if they decided to watch it, because itѻýs hard for anyone to watch themselves on TV or in films, never mind if youѻýre sharing extremely traumatic, difficult stories of what happened to you.ѻý

Miller says DOXA is the only ѻýbig festivalѻý in Canada to have welcomed the film, to date, and sheѻýs not entirely sure why.

ѻýEvery other of the Canadian festivals that are in, like, the A tier, the bigger festivals, have snubbed the film, and there still isnѻýt a Canadian broadcaster thatѻýs taken the film,ѻý Miller said.

ѻýItѻýs the only film on entrapment and agent provocateurs in Canadian history, thatѻýs ever been made, so guaranteed thereѻýs people who will find it interesting,ѻý she added.

ѻýIs it a conspiracy to say that maybe broadcasters donѻýt want to ruffle any feathers and have any issues? I donѻýt know. Itѻýs tricky for me to say because nobody wants sour grapes, and there are so many good docs that donѻýt get a license or that donѻýt get into good festival, or bigger festivals, I should say.

ѻýIѻým very thrilled with the results so far,ѻý Miller added. ѻýWeѻýve won a couple of awards, and international eyeballs will see this film. But it is a Canadian subject for a Canadian audience. I canѻýt speak on behalf of the broadcasters, but it is one of those things, right, because maybe itѻýs as simple as no one wants to be critical of the RCMP and CSIS because of the cultural ecosystem that we live in, in Canada.ѻý

- with files from Jane Skrypnek



Tom Zillich

About the Author: Tom Zillich

I cover entertainment, sports and news for Surrey Now-Leader and Black Press Media
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