has moved her bedroom into Surrey Art Gallery.
Well, not exactly her bedroom, but the artistѻýs re-imagination of her teen-years space in Kelowna, where the now-Vancouver-based Johal grew up subconsciously searching for more feminist South Asian role models.
This fall, the galleryѻýs main space features what Johal calls a ѻýloose re-creationѻý of her old bedroom in the exhibit ѻýWhat If?ѻý her first in Surrey.
ѻýWhat if her formative influences had been daring, defiant South Asian women?ѻý an event advisory asks. ѻýWhy were such figures unseen and unheard of in both private and public spheres? Johal revisits, re-imagines, and reclaims her past by sharing these womenѻýs stories through art.ѻý
Artist Sandeep Johalѻýs teen bedroom re-imagined with South Asian role models at Surrey Art Gallery.
ѻý Tom Zillich (@TomZillich)
She revisits "what my life could have been like had I known about these women," growing up in Kelowna.
STORY:
Through textiles, paintings, drawings and animation, ѻýJohal layers her personal history with those of South Asian women she wished she knew about as a first-generation South Asian youth ѻý role models, pioneers, trailblazers, vigilantes and rebels,ѻý all previously featured in Johalѻýs ѻýHard Kaurѻý series of portraits (ѻýKaurѻý is a typical middle name assigned to Sikh females at birth, meaning ѻýlionessѻý).
ѻýAll of those women are in the wallpaper behind the bed, but then theyѻýre also embodied in different objects and things in this bedroom,ѻý Johal told Black Press Media.
ѻýI was growing up with, you know, ѻý90210,ѻý ѻýMy So-Called Life,ѻý listening to Madonna and Gwen Stefani, and there was no representation of my culture. So here, Iѻým going back to my teen bedroom and Iѻým revisiting and re-imagining what my life could have been like had I known about these women, and how that could have impacted me in different ways as I grew into an adult.ѻý
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PICTURED: Artist Sandeep Johal in her ѻýbedroomѻý at Surrey Art Gallery, in a new exhibit of her works. (Photo: Tom Zillich)
The subject is explored at the gallery during , starting at 2 p.m., amplifying an exhibit on view until mid-December.
ѻýThis bedroom is very true to who I was as a teen,ѻý she revealed. ѻýI havenѻýt put anything in here that I didnѻýt utilize or enjoy as a teen. And so, on the bulletin board there, those are fake show posters Iѻýve made of South Asian female bands, because there was none of that growing up either. It was Red Hot Chill Peppers and Nirvana and Alanis Morissette, you know, so thatѻýs just a re-imagination. Those are real venues in Kelowna, and the dates are all significant to me, done in the spirit of DIY posters.ѻý
A ѻýHard Kaurѻý jean jacket represents Johalѻýs teen passion for clothing modification and the equally prominent ѻýSpiceѻý tapestry riffs on a ѻýgirl powerѻý British pop group of the late-1990s.
ѻýWhen the Spice Girls came out, I was in my early 20s, I think, and I thought, ѻýWow, this is so amazing, these women are so cool and so empowered,ѻýѻý Johal recalled. ѻýAnd as adult you realize it was all fake empowerment, fake feminism and a completely manufactured band. So I looked at this as, ѻýWell, who would my Spice Girls be?ѻý I chose five of the women from the series to be, you know, my version of the Spice Girls.ѻý
They are ѻýBandit Queenѻý Phoolan Devi, suffragette Sophia Duleep Singh, rebel Laxmi Bai, vigilante group founder Gulabi Gang and labour-protest leader Jayaben Desai.
ѻýMy real question with all of this is, how do women endure such oppressive conditions and have the resilience and perseverance to just keep going?ѻý Johal said. ѻýYou know, how are some people so resilient while others are not, and what creates that resilience? All of these women have that resilience, which I think is incredible. Itѻýs having those role models that show you anything is possible. It may not be easy, but itѻýs possible.ѻý
A ѻýtomboyѻý growing up, Johal didnѻýt wear much makeup and was known as ѻýHoops,ѻý for her love of basketball.
ѻýThese are real photos, but photocopies of them,ѻý she said of images affixed to a vanity mirror. ѻýThis is a photo of me from the ѻý90s but I cut out my friend and put another woman from ѻýHard Kaur,ѻý Roshni Sharma, who was the first woman to ride a motorbike solo from the top of India to the bottom. People might not think thatѻýs a big deal, but she was a lone woman doing that, and itѻýs quite an accomplishment in terms of safety alone. So that picture is of her and I palling around. I didnѻýt really have many brown friends growing up in a town that wasnѻýt very diverse.ѻý
Scattered on the bed are teen-girl magazines with cover models now adorned with mehndi.
ѻýThese are thin, white blonde women who totally appropriated Indian culture all the time, but I thought they were so cool,ѻý Johal emphasized. ѻýAs a teen I didnѻýt see myself represented in any of this pop culture. So I kind of Indian-ified the magazine covers in this way, kind of daydreaming of a time when someone like me could be on a cover like that.ѻý
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PICTURED: Artist Sandeep Johalѻýs depiction of murdered Surrey resident Maple Batalia. (Photo: Tom Zillich)
Also featured in the gallery are Johalѻýs ѻýRest in Powerѻý series of drawings of 12 murdered women and ѻýFor Jyoti,ѻý an animated film about the 2012 murder of Delhi student Jyoti Singh.
ѻý RELATED STORY, from 2016:
ѻýSurrey has a South Asian diaspora community,ѻý noted Suvi Bains, Surrey Art Galleryѻýs assistant curator. ѻýItѻýs important to see our community represented through art exhibits that address difficult subjects and uplift resilient women.ѻý
tom.zillich@surreynowleader.com
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