When she saw her perform under the Yellowknifeѻýs midnight sun, Rosemary Thomson knew it would be a beautiful, brazen performance far removed from the classical mainstream.
The Okanagan Symphony Orchestra, under the baton of music director Thomson, welcomes renowned to the Kelowna stage Oct. 13 and Vernon and District Performing Arts Centre Oct. 14.
ѻýThe biggest thing that Iѻýve heard about Tanya perform is, ѻýItѻýs unlike anything Iѻýve heard before,ѻýѻý Thomson said of the Polaris Music Prize-winner. ѻýMy brother-in-law said to me, ѻýWhen I see her live, I feel like I want to weep one moment and laugh the next, and I donѻýt know why.ѻýѻý
Traditional throat singing, heavy metal and rock interpretations coalesce into Tagaqѻýs unique, and often highly improvised, operatic presence. Drawing inspiration from her Inuk roots, the Nunavut vocalist uses her artform to express her political statement.
ѻýThereѻýs sort of an underlying rhythmic pulse thatѻýs continuant. Thereѻýs vocalization both on the inhale and exhale ѻý thatѻýs what allows it to be so continuant,ѻý Thomson said of Tagaqѻýs throat singing. ѻýShe has the widest vocal range of anyone Iѻýve heard. I wouldnѻýt describe it as pretty. Itѻýs such an immediate vocal expression of her being. Itѻýs wondrous. It bypasses your brain and goes straight to your heart. Itѻýs hypnotic.ѻý
Originally performed by the Toronto Symphony Orchestra, Tagaq will close the performance with her own 25-minute composition dedicated to Canadaѻýs missing and murdered indigenous women and girls entitled Qiksaaktuq ѻý the Inuktitut word for grief. Following the Kübler-Ross model for the five stages of grief ѻý denial, anger, bargaining, depression and acceptance ѻý Qiksaaktuq is a five-movement piece combining improvised vocals from Tagaq and brass under Christine Duncan, while the strings, woodwind and percussion lead by Thomson provide a musical base.
While it marks a departure from traditional OSO programming, Thomson said Tagaqѻýs performance represents a shift in the orchestral world.
ѻýOrchestras have always been influenced by popular music. This is being influenced by a more contemporary music,ѻý Thomson said. ѻýWeѻýll have some die-hard classical lovers in the audience ѻý this might not be for them. For some in the audience, it will make them feel uncomfortable. She pushes the envelope for sure.ѻý
Thomson said there is always a level of uncertainty when bringing in an experimental artist like Tagaq, but itѻýs an opportunity the OSO couldnѻýt bypass.
ѻýWithout risk, life is boring,ѻý Thomson laughed, noting that when western European composers originally brought cymbals into the mix it was considered a risk whereas now itѻýs commonplace.
ѻýThatѻýs the great thing about contemporary music ѻý it keeps it fresh,ѻý Thomson said, adding that she hopes Tagaqѻýs performance will instil a love of the orchestra in younger listeners.
Before Tagaq takes the stage, however, the OSO will perform Christos Hatzisѻý Thunder Drum ѻý a three-movement piece featuring a live orchestra and an electronic soundtrack and samples of Tagaqѻýs vocalizations.
The second half of the performance will open with Dinuk Wijeratneѻýs First Winter. Commissioned by the Calgary Philharmonic, First Winter is an expression of the Sri Lankanѻýs first experiences with Canadian winter.
ѻýI love exploring the whole gambit from across the centuries,ѻý Thomson said. ѻýThatѻýs what gives us a rich entry into the world of art.ѻý
The OSO will take the Kelowna Community Theatre stage alongside Tagaq Oct. 13 at 7:30 p.m. Tickets are available through Kelowna Tickets, 250-862-2867. Tickets to the Vernon and District Performing Arts Centre Show Oct. 14 at 7 p.m. are available through the Ticket Seller, 250-549-7469, .
parker.crook@vernonmorningstar.com
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