Victoria artist Beverly Hancock used to paint a painting and be done. But now, she cuts it up. And then, she weaves it into something new.
Karen Guilbault gathers pine needles ѻý sometimes sheѻýll even politely ask city removal not to rake over a spot. She then patiently bundles and weaves them into intricate baskets.
Award-winning fibre artist Martina Edmondson now makes whimsical creations out of nature foragings.
These women are all established artists riding the waves of a rising tide: the growing trend of repurposed art. Essentially, itѻýs using found or existing objects to create something entirely new.
ѻýItѻýs a huge trend in the world, but the biggest trend is to use garbage and reuse things that we donѻýt think are beautiful,ѻý Hancock said. ѻýAnd to try to make something that no oneѻýs ever seen before out of something you would usually throw out.ѻý

In February, another ѻýrepurposedѻý artist from Victoria, driftwood sculptor Tanya Bub, was at an international exposition of repurposed art in Qatar called the Tadweer Art Exhibition. The exhibit merged the worlds of art and environmental consciousness, stated to be a testament to Qatarѻýs commitment to sustainability.
For artists who approach art through this lens, the draw lies in reconnecting with the natural world while relinquishing control and embracing spontaneity.
ѻýI start with something that I find really interesting,ѻý Edmondson said of her diverse pieces, which include collage, sculpture and eco printing (using natural materials to dye paper with earthy tones and create imprints). ѻýI might think, oh, maybe this looks a little bit like a face or this could be an eagle. And then my imagination takes a flight.ѻý
She also does embroidery, but, ѻýItѻýs not pretty embroidery. I guess I donѻýt do pretty very well. Or, I donѻýt find it pretty.ѻý
Pretty isnѻýt the point when approaching art in this manner. ѻýYouѻýre making it for yourself. And I think that comes with age,ѻý Edmondson said.
Hancock, an expressionist and figurative artist who finds it ѻýexhilaratingѻý to rip up and re-imagine her paintings into new works, agreed this is a new era of art-making for her. ѻýIt is really interesting to see how artistsѻý work changes as their situation in life changes.ѻý

A growing eco-consciousness in the arts community
While repurposed art has always been around, all three artists said theyѻýve seen it growing in popularity, all part of a growing eco-consciousness.
ѻýI think with the way climate change is going, there will be more and more emphasis on, what are we using? What are we doing to the environment?ѻý Edmondson said.
ѻýIѻým not saying everybodyѻýs there, but, you know, I have a big following online. Itѻýs a very big topic,ѻý Hancock said.
ѻýMany, many artists would say, ѻýThereѻýs no paper towel in my studio. Iѻým using rags.ѻý So if you canѻýt do everything, youѻýre trying to do something, right? And I think every artist is sharing that information with each other.ѻý
Guilbault primarily uses pine needles to create her baskets. But she also paints stones to feature in the centre of these baskets, and once sheѻýs done painting, she wipes her palette so the paint doesnѻýt go down the drain.
ѻýYou see how we are all thinking about it,ѻý Hancock said. ѻýWhen I went to art school, what a squiggle of time ago, in the 1970s, nobody talked about that. There wasnѻýt a single person in the art world that had ever even discussed, what do we do with this paint? Is it bad for the world?ѻý
Experience repurposed art
While the artists just wrapped up a group exhibit at Gage Gallery in March, Beverly Hancock will be exhibiting at Gage again April 2-14 with RAW: Unveiled Layers, which delves into the raw experiences that shape the human condition.
If you are interested in this type of artwork you can also check out art by Gerhard Bär, Martha Haversham, Michelle Reader, Wim Delvoye and Yuken Teruya.
But Hancock, Guilbault and Edmondson would probably also encourage you to try it out for yourself.
ѻýIt is magical. After you get going, you go, ѻýI could have never thought of thatѻý,ѻý Hancock said.